Collodion-Chloride Printing Paper Workshop |
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admin
Adminstrator Forum Board Moderator Joined: 27 May 2004 Online Status: Offline Posts: 2243 |
Topic: Collodion-Chloride Printing Paper Workshop Posted: 16 February 2011 at 02:19 |
Greetings,
Mark asked if I would post this for him. It looks like a great workshop. He said he had a couple of places still open. I would attend this, if I could. This is a great alternative to the Centennial POP hole left from the Chicago Albumen Works company - in fact, it sounds better.
Collodion-Chloride Printing Paper Workshop: March 14-16, 2011
Learn the collodion chloride printing process [originally called the Simpsontype and later the Aristotype] at George Eastman House International Museum of Photography and Film. This is the first public workshop for the most archival silver halide printing process ever invented. Used from the mid-1860 to the late 1930s it's perfectly suited for collodion, gelatin emulsion or digital negatives. Unlike wet collodion, Collodion Chloride is an emulsion process; there is no silver bath. The mixed emulsion has a long shelf life, so it's ready to pour when you want to coat a few sheets of printing paper. The workshop is taught by process historian Mark Osterman. Like all George Eastman House process workshops, this workshop includes illustrated lectures on the history & chemistry, hands-on technique and inspection of rare original collodion-chloride
For those interested in the Dry Collodion Negative Workshop at Fox Talbot Museum, Laycock Abbey, Wiltshire this July, it is sold out. We are however taking names for a possible workshop the next week if we can fill the class. The Dawn of Photography [photogenic drawing] workshop has a few spaces left.
For registration for the collodion chloride workshop and information on our other unusual historic process workshops go to: http://www.eastmanhouse.org/
Image: Nelson Camp, gold toned collodion-chloride print from 8x10 wet collodion
negative by Mark Osterman
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Robert
Subscriber Joined: 11 December 2008 Online Status: Offline Posts: 635 |
Posted: 16 February 2011 at 08:54 |
Great process. But I wonder where he is finding the Baryta paper since it is no longer available in rolls from Photographers Formulary? I bought three rolls and then went back for more and they said it would no longer be available.
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admin
Adminstrator Forum Board Moderator Joined: 27 May 2004 Online Status: Offline Posts: 2243 |
Posted: 16 February 2011 at 10:59 |
Mark said, "There is no steady source for baryta paper as far as I know...There are some subbing alternatives and you can also coat your own baryta, [barium sulfate, gelatin, glycerin and/or sugar and chrome alum] which we will cover in the workshop. But it will never be as smooth as the factory made stuff, because they run the paper though calendar stacks."
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J0B00
Subscriber Joined: 18 October 2005 Location: United States Online Status: Offline Posts: 1268 |
Posted: 16 February 2011 at 11:18 |
You can use fixed our RC and Fiber paper as well..... Not as cheap, but will do in a pinch I guess...
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Robert
Subscriber Joined: 11 December 2008 Online Status: Offline Posts: 635 |
Posted: 17 February 2011 at 14:47 |
That's a great price for a workshop with Mark.
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Kerik
Subscriber Joined: 01 March 2005 Location: United States Online Status: Offline Posts: 1325 |
Posted: 18 February 2011 at 13:52 |
Wow, beautiful print. Too far away for me right now, but looks very interesting.
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Kerik Kouklis
Platinum/Gum/Collodion www.kerik.com |
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caflaric
Subscriber Joined: 20 October 2009 Location: italy Online Status: Offline Posts: 376 |
Posted: 21 February 2011 at 02:42 |
Fantastic.... but in Europe????
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flavio
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